All Georges de La Tour Oil Paintings


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Georges de La Tour Das gute Schicksal oil painting


Das gute Schicksal
Painting ID::  91797
Artist: Georges de La Tour
Painting: Das gute Schicksal
Introduction: 1633-1639 Medium oil on canvas cjr
   
   
     

 

 

 

 

 

 

 

Georges de La Tour Die Wurfelspieler oil painting


Die Wurfelspieler
Painting ID::  91875
Artist: Georges de La Tour
Painting: Die Wurfelspieler
Introduction: 1650-1651 Medium oil on canvas Dimensions 92,2 X 130,5 cm cjr
   
   
     

 

 

 

 

 

 

 

Georges de La Tour Alte oil painting


Alte
Painting ID::  91959
Artist: Georges de La Tour
Painting: Alte
Introduction: 1625-1630 Medium oil on canvas cyf
   
   
     

 

 

 

 

 

 

 

Georges de La Tour Magdalena Wrightsman oil painting


Magdalena Wrightsman
Painting ID::  92313
Artist: Georges de La Tour
Painting: Magdalena Wrightsman
Introduction: 1625-1650 Medium oil on canvas Dimensions 133,4 X 102,2 cm cyf
   
   
     

 

 

 

 

 

 

 

Georges de La Tour Petrus oil painting


Petrus
Painting ID::  92316
Artist: Georges de La Tour
Painting: Petrus
Introduction: 1645(1645) Medium oil on canvas Dimensions 114 X 95 cm cyf
   
   
     

 

 

 

 

 

 

 


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     Check All Georges de La Tour's Paintings Here!
     1593-1652 French Georges de La Tour Galleries His early work shows influences from Caravaggio, probably via his Dutch followers, and the genre scenes of cheats??as in The Fortune Teller ??and fighting beggars clearly derive from the Dutch Caravaggisti, and probably also his fellow-Lorrainer, Jacques Bellange. These are believed to date from relatively early in his career. La Tour is best known for the nocturnal light effects which he developed much further than his artistic predecessors had done, and transferred their use in the genre subjects in the paintings of the Dutch Caravaggisti to religious painting in his. Unlike Caravaggio his religious paintings lack dramatic effects. He painted these in a second phase of his style, perhaps beginning in the 1640s, using chiaroscuro, careful geometrical compositions, and very simplified painting of forms. His work moves during his career towards greater simplicity and stillness ?? taking from Caravaggio very different qualities than Jusepe de Ribera and his Tenebrist followers did. He often painted several variations on the same subjects, and his surviving output is relatively small. His son Etienne was his pupil, and distinguishing between their work in versions of La Tour's compositions is difficult. The version of the Education of the Virgin, in the Frick Collection in New York is an example, as the Museum itself admits. Another group of paintings (example left), of great skill but claimed to be different in style to those of de La Tour, have been attributed to an unknown "Hurdy-gurdy Master". All show older male figures (one group in Malibu includes a female), mostly solitary, either beggars or saints. After his death in 1652, La Tour's work was largely forgotten until rediscovered by Hermann Voss, a German scholar, in 1915. In 1935 an exhibition in Paris began the revival in interest among a wider public. In the twentieth century a number of his works were identified once more, and forgers tried to help meet the new demand; many aspects of his œuvre remain controversial among art historians. . Related Artists to Georges de La Tour : | Joseph E.Southall | Johann Kaspar Scherrer | School of Latium | HOOGSTRATEN, Samuel van | Walter Richard Sickert |

 

 

 

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